The editor of The Malahat Review (whose table I had joined) expressed the view that I expect too much of poetry editors.
I wish now that I had thought of Pound putting blue ink on Eliot. Or the need of an editor for John Clare.
My own assertions confounded these three: to burnish a key and to remove burs from a key and to use a bur to work metal. And yet I insist that to buff a key is not to sand a key. And burnish suggests the shiny new key, its ridged edges like brushed metal. A new key is brushed, not sanded.
But perhaps even memory failed me, and the irritation of the sanded key is to be found in a recent number of The Fiddlehead ....
See: 'deburring brush' and deburring newly cut keys; dental burs; burr holes, trephine, trepan and other things we need about as much ...
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